Amanda Palmer is a force to be reckoned with. I first learned of her wily charms from her duo The Dresden Dolls and from afar have followed her marriage to the rad author Neil Gaiman, her solo career on the ukelele, her SMASHING Kickstarter success of over 1.2 million dollars and her celebrated TED talk reflecting on her life as a musician, artist and live statue called “The 8 foot Bride.”
It is with great pleasure that I announce that “Holy Bones,” my sixth studio album, is almost finished!
It has taken wild dreams of cleaving grand pianos in half with table saws, pushing my keyboard in its wheeled case down the hill into the lake, guitar lessons and a rotating cast of talented and vibrant band members … but FINALLY, by the end of this year, my 9 song electric guitar-based album “Holy Bones” will be recorded! Cannot wait to share it with you, my friends!
“There is nothing more vulnerable than creativity … and what is art if it’s not love?” – Brené Brown
In the midst of putting a new album into the world, I am faced with some trepidation. I’ve heard Tori Amos in an interview describe her songs as babies … on that thought, when you send your children out to live their lives outside of you, mothering instinct must kick in – fear for their safety, how will they get along in the world, who will love them? I can only imagine … comparing songs to babies might be a long shot, but to create something bearing soul, sweat, love, tears and fling it into the universe is quite a courageous act.
I want to share this image of my messy office / yoga room / closet-with-fainting-couch to emphasize that my mind sometimes feels like this room … this room sometimes reflects my mind! I am just about to leave for a nine day mini tour tomorrow (check out the shows here) and it is obvious that I have a LOT of organizing to do.
As you saw in previous posts, I’m a sucker for lists. Boy, do I have them going today! I also love tools that can help me be more efficient in my work, more mindful in my day and heartful in my dealings.
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The Arrowhead Story is a collective of earth lovers based in Duluth, MN who are choosing music as a medium for change. Their Facebook page describes it further: “Last year, a group of musicians came together in Duluth to record a compilation album titled ‘Industry. Peace. Environment.’ to raise awareness about sulfide mining and the permanent changes that upcoming decisions will have on the landscape they love. This year, the movement gains ground by drawing together even more artists and activists to collaborate on an unprecedented series of events that will serve as a forum for a chorus of voices on this issue being raised and heard.”
Do you see your facebook/twitter/whatever social media friends say “Please support my new project with Kickstarter/IndieGoGo/Pledgemusic” and immediately groan and un-friend, unfollow or block that person? Sigh. ‘Tis the age of crowdfunding, and everybody has a project.
Crowdfunding is the collection of finance from backers—the “crowd”—to fund an initiative and usually occurs on Internet platforms … Kickstarter: The company’s stated mission is to help bring creative projects to life. Kickstarter claims it has received over $1 billion in pledges from 5.7 million donors to fund 135,000 projects, such as films, music, stage shows, comics, journalism, video games, and food-related projects. People who back Kickstarter projects are offered tangible rewards and special experiences in exchange for their pledges. This model traces its roots to subscription model of arts patronage, where artists would go directly to their audiences to fund their work.
In my social networks, I see it mostly with music, art, film and sometimes nifty inventions or delicious food products like Punk Rawk Labs vegan nut milk cheeses (SO GOOD). I have backed around 15 projects, from my friends (Ida Jo, Toby Thomas Churchill) to one of my favorite musicians of all time (Jane Siberry) to an international documentary that tugged at my heart strings (Embrace).
I have successfully funded an album in 2012 with Kickstarter:
and am in the middle of another campaign to record “Live to Lathe” at Welcome to 1979 Studio in Nashville this summer.
I am not hesitant to fund projects as I see it as a way for people to follow their dreams AND if the project doesn’t get funded, nobody loses any money (but maybe the inventor’s heart breaks a little). However, I can understand the irritation as SO many people – any old joe off the street – can try and raise funds for a project. They can get their fans’ hopes up — and if it doesn’t get fully funded then it’s seriously disappointing. Or what about if you funded something and the award never came? GAH! And yet, as awkward as it seems, it can be validating to pursue … It’s exciting as a fan to be a part of something and I still am giddy to get packages in the mail other than bills. Go fund something! www.kickstarter.com